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Changeling

Angelina Jolie & Clint Eastwood

Some images aspire to be something beyond just images. They seek to become objects of veneration: icons. Angelina Jolie, as she appears in Clint Eastwood's Changeling, is more than a mere actress or an over-publicized movie star: She's an icon of suffering. Zinedine Zidane, at least in Douglas Gordon and Philippe Parreno's portrait, is not simply a star athlete or even the world's greatest soccer player: He is projected as 21st-Century Man.

Jolie doesn't perform in Changeling; she resolutely presents herself to the audience for admiration. The main attraction in Eastwood's two-fisted snake-pit weepie is the spectacle of Jolie's steely self-possessed suffering. As she lost her husband to Islamic terrorists in A Mighty Heart, Our Lady of Humanitarian Narcissism here endures another dreadful fate: losing her child to a mob of knaves, know-nothings, and psychos, even as she's persecuted by the entire state institutional apparatus of California.

Based on a forgotten tabloid saga that illuminates a particularly lurid Los Angeles guilty secret and might have appealed equally to neo-noirist James Ellroy or cultural historian Mike Davis, Changeling is set in a late-'20s L.A. that Eastwood has lovingly repopulated with the streetcars and Model T's of his own childhood. Jolie's Christine Collins is a single mom and phone-company supervisor. One afternoon, her nine-year-old son vanishes from their modest bungalow; five months later, the LAPD announces with all due hoopla that the boy has been found. A reunion is staged, reporters are invited, and although dazed Christine immediately realizes that the cops are handing her another kid, she's told to take him home on a "trial basis—he has nowhere else to go."

The Collins mystery is predicated at least in part on the historical Christine's extreme suggestibility. Why did she accept this strange boy as her own? But this is subsumed in a greater mystery: Who could possibly compel Angelina Jolie to do anything she didn't want to do? Despite ample physical evidence that the child is not hers, as well as assistance from a teacher, a dentist, and a self-regarding radio preacher (John Malkovich), Christine is browbeaten by the police, bullied by the press, and finally committed to a local bedlam seemingly filled with people whose mental illness consisted in pissing off the cops.

There's no denying Changeling's moldy grandeur. The movie is Eastwood's version of a silent-era melodrama (and given the anachronistic psycho-babble, it might better have been one). Who doesn't want to like Changeling? Clint Eastwood too is an icon. He succeeded John Wayne as America's greatest cowboy and, billed as America's greatest living director, glared out from the cover of last month's Sight & Sound, a craggy object of uncritical devotion. It's been many years (and many mediocre films) since the near-successive appearance of Bird, White Hunter, Black Heart, and Unforgiven established Eastwood's directorial reputation. Where the existential war film Letters From Iwo Jima attested to his viability, Changeling signals only his ambition.

Eastwood's latest is an effort to be bracketed with Chinatown or L.A. Confidential in mythologizing the secret history of Los Angeles. But burdened by a convoluted script and an ensemble-proof leading lady, the director fails to illuminate a particular corrupt system. Meanwhile, this static, sluggish movie grows ever darker—even as it encompasses murder, pederasty, captivity, intimations of the Manson family, multiple courtroom scenes, and a death-row confrontation. For her part, Jolie reverts to her goth-girl origins—her mask of tragedy suggesting a skull costumed for Halloween in a cloche hat and ghoulishly kissable wax red lips.

Jolie is most convincing in her demand for recognition—and Eastwood is glad to oblige. Late in the movie, Christine confidently predicts that It Happened One Night will be the surprise Oscar winner of 1934. Soon after, she strikes a pose identified with Stella Dallas, the motherhood tearjerker for which Barbara Stanwyck received her first nomination in 1937. Image trumps performance. One needn't be clairvoyant to know that somewhere in Hollywood, someone is imagining her acceptance speech.


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Film Review

Changeling

BOTTOM LINE:With a very strong story, subtly executed and detailed direction, this historical drama about a mother's strong determination to find her kidnapped son is a touching ordeal of love, sacrifice, brutality and police corruption.

THE GOOD:Director Clint Eastwood has served up a rich tapestry of a film in "Changeling", which goes far beyond its initial synopsis of a woman trying to find her kidnapped son despite the police insisting that they have found him and force her to take a child who is not her son. What unfolds on screen is a detailed account of the systematic corruption of the Los Angeles Police Department and the brutality of a serial killer who preys on children, and how the disappearance of Christine Collins' (Angelina Jolie) son is mixed up in all of this treachery. The arrogance and disgusting behaviour of the LAPD, as embodied by the Chief Of Police James Davis (Colm Feore) and Captain J.J. Jones (Jeffrey Donovan) who ultimately throw Christine into a mental asylum and will not release her until she signs a document stating that she was wrong in questioning the police about the handling of her son's case and that the child they brought to her was not her son makes for a touching and excruciating story, even though in the end the hands of the police are forced when the serial killer who may have abducted her child is discovered.

On the other hand, there is also the story of that brutal serial killer who abducts his victims with good words and killing them with an axe on a lonely ranch, and then forcing his child-sidekick to help him. All these stories eventually coalesce, almost be accident as the police detective sent to find the killer's child sidekick was actually there to deport him back to Canada and eventually the kid tells him his horrific tale. An impressive Angelina Jolie puts in a rich performance as Christine Collins, a woman who is strong on the inside but does not always push her point in all cases, befitting the role of the woman in society at the time. As a result, Jolie portrays a unique woman, not all tough, but not all soft either. Clint Eastwood delivers one of his best looking films to date, and his team have carefully recreated the 1920s and 1930s to exacting detail, photographing them with a lovely eloquence and richness that truly make you believe you are there. "Changeling" is an excellent film, brilliantly directed and acted, with a strong story that will engross you from start to finish.

THE BAD: Although Angelina Jolie does an exceptional acting job in this film, her look and her presence as a star do not always match the character she is playing. Christine Collins is strongly interpreted by Eastwood as a woman who is very strong on the inside but does not always show that on the outside; in essence, a character who is in the middle, who can back down if pushed but can also stand up for herself in certain situations. Angelina Jolie unfortunately looks and feels like a tiger of a person, as she always does, and despite her great acting in the film, she still has the look and presence of a tiger which does not quite mix with the character she is portraying. Coupled with the fact that she seems to be crying way too much in this film, even despite the ordeal her character is going through, makes for a small drop in sympathy for her character's plight. Also, Jeffrey Donovan as Captain J.J. Jones is not all that good, and is perhaps the only member of the cast who has trouble performing with any sense of believability. He has a permanent scowl on his face that I think is meant to be interpreted as being a tough, corrupt policeman, but somehow it looks like he is trying too hard. Thankfully his presence in the film is only in effect an extended cameo.

For the original review, follow this link: http://www.allaboutmovies.net/filmreviewchangeling.htm

Todd Murphy is a staff reviewer at the film/DVD review web site, http://www.allaboutmovies.net - for all the latest reviews on the newest releases.

Article Source: Todd Murphy
Film Review: Changeling